I Choose the Hard Way
I never dressed in fashion’s season.
I chose my path quietly,
Not out of stubbornness — but out of truth.
Some are born to echo and imitate.
But I was born to follow my instincts,
I have always been a rebel in this way.
Because I am not part of the pack.
I am the Lone She Wolf seeking my path under the Moon
Wedgewood Blue and Other Rebellions
An essay for those who still paint with their own hands
There is a quiet revolution in choosing your own color.
Not a war cry. Not a slogan.
Just a steady refusal to paint the walls white.
Wedgewood Blue—soft, melancholic, complex—was the color of my choosing. It held something of dusk in it.
Something of porcelain, of memory.
But in a world of clean lines and neutral palettes, it became a point of contention.
“Why not white?” they asked.
Why not white?
Because I am not an empty hallway.
Because I do not aspire to look like a brochure.
Because this house holds breath, not blueprint.
And breath remembers color.
There is an odd confidence in those who have never written a book, never battled a paragraph,
never wandered lost inside a sentence for hours—yet tell you how to write.
“Use a microphone,”
“Dictate!”
“There are programs for that!”
Yes, there are.
There are also machines that can make soup without salt,
music without pain, and letters without meaning.
But I am not trying to mass-produce. I am trying to remember.
To remember how words feel when you summon them slowly,
not when they are auto-filled.
They ask why I code by hand.
Why not use WordPress?
Why not drag and drop, click and publish, be efficient, be quick?
Because I do not want someone else's bones under my website’s skin.
Because I like to know where the veins run.
Because there is something sacred in the slowness, in the vulnerability of crafting from nothing—like sowing seeds in a field that only I can see.
There are many kinds of rebellions.
Some march in the streets.
Others wear Wedgewood Blue in defiance.
Some code in silence while others scroll.
Mine are quiet rebellions: against automation, against homogeneity, against the assumption that I should do what is easier, what is trendier, what is expected.
I do what is true.
I write what hurts until it heals.
I code what won’t exist unless I build it.
So let the white walls rise all around me.
I will keep a single one blue, stubbornly blue—
—like a flag.
—like a memory.
—like a rebellion you can touch.